Did the Pinchuk Art Centre foreshadow Covid-19?

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Tanngnjostr
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Did the Pinchuk Art Centre foreshadow Covid-19?

Post by Tanngnjostr »

Interesting find. It could be a coincidence, but it seems highly unusual enough to warrant mentioning because it was found among prominent Pizzagate players.

While searching for info on Pinchuk and Yushchenko I found a string of Twitter posts on Ukraine. Midway down it becomes nearly verbatim my Pizzagate Wiki article with a bit of @ASolo mixed in as well. C'mon Artisbrutal2021, I know you are in normie-land but you could at least name drop me if you are going to use my exact words. It even starts using archived links and then abruptly stops after my section is over.
https://threadreaderapp.com/thread/1497324270812286977
https://archive.ph/4UVjx

Anyway, that is not the point of this post. Artisbrutal21 did have one fantastic find that I want to discuss. There was an artist named Barthélémy Toguo that displayed his art at the Pinchuk Art Centre that featured viruses and agents of contagions including bats.

https://twitter.com/artisbrutal2021/sta ... 22/photo/1
https://archive.ph/wip/LMVrQ

"In addition to wearing a political hat, Pinchuk is a prominent patron of the arts and the industrialist owns a local art gallery, Pinchuk Art Center, located in downtown Kyiv. Intrigued by the sound of the center’s current exhibit, which is perhaps somewhat appropriately titled “Fragile State,” I took a tour of the gallery. “The title of the show is meant to reflect Ukraine’s underlying uncertainty since the country doesn’t know where to turn,” remarks Valeria Schiller, an art historian, student and guide at Pinchuk Art Center. To be sure, Schiller adds, the exhibit must be seen in the context of Ukraine’s wider political travails and discussions taking place at the YES conference just outside the city center. Nevertheless, my guide explains, “we don’t want to make any overt political points as a museum, but merely to give the viewer a sense of the overall psychological vulnerability of Ukrainian society today.”

Schiller gestures to a series of life-size vases depicting viruses and other agents of contagion such as bats. The work, which is created by artist Barthélémy Toguo, is meant to underscore humanity’s fragile relationship to water and contamination."

The Fragile State art exhibit also featured Marina Abramovic.
https://archive.ph/wip/tUQUz

Oh, and Damien Hirst who famously did his pharma Baxter art (the people who did the Ukrainian swine flu vaccines that contained a live virus.). https://archive.ph/wip/V9E4J Credit to Swordfish69 for that info. Oh, and seriously why is part of that that twitter thread a Best of Voat and yet it contains no Swordfish? Even I fully admit he was the better researcher. https://searchvoat.co/v/pizzagate/2062747

More links on Barthélémy Toguo.
https://archive.ph/KcleD
https://archive.ph/JPyHT

So, what do you think? Is it a bizarre coincidence (as bats do sometimes carry disease and an African artist would probably be more exposed to those than many others.) Or was this work made full well knowing that a planned gained-of-function bioweapon pandemic was coming using bats? The fact that it was shown in Ukraine, where they have biolabs, makes it even weirder.

Edit: I also want to point out that Pinchuk has personally interviewed Yuval Noah Harari. Yuval is the personal advisor of Klaus Schwab, the founder of the WEF. In the clip they discuss how "global problems require global solutions" and that we need a global government to combat climate change. Yuval has also previously talked about "hackable humans", "getting under the skin to get biometric data" and how automation is making it so that we don't need most of the population. Essentially, Yuval is an 'expert' in transhumanism, technocracy and depopulation. This connection makes it all the more likely that Pinchuk knew that Covid-19 was going to be created as he has long had a very cushy relationship with the WEF and George Soros.
https://www.youtube.com/watch?v=lsGjA2Jglhc&t=1537s
https://www.youtube.com/watch?v=3vrkTl9Sv6Y
https://archive.ph/wip/zUBgQ
https://archive.ph/ZAla7
https://archive.ph/3qXWl
https://archive.ph/8hfcp
Last edited by Tanngnjostr on Wed Oct 19, 2022 3:22 pm, edited 1 time in total.
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kestrel9
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Re: Did the Pinchuk Art Centre foreshadow Covid-19?

Post by kestrel9 »

Excellent post, too much info to fully absorb in one sitting.

Because the Vases were painted in 2016 I'm inclined to believe that Toguo's Vases were chosen to be included in the 'Secret Evidence' 2018 exhibit to bring up the topic of pandemics/viruses etc., which was a theme in 2018 (via simulation exercises) that overlapped with the earliest cases of Covid19 in China. The Art Museum circuit is used by powerful elites for their political purpose and shaping culture. A preexisting tie in with Ukraine is intriguing.

Three large standing vases in porcelain, called “Vaincre le virus” (win over the virus) were made in 2016 (already) after Toguo’s visit to Jingdezhen, the ceramic capital of China. The red hands represent the chain of contamination, blood, disease and death, while his self-portrait on one of the vases can be interpreted as him witnessing the disaster. This work is obviously prescient.

Image
Vaincre le Virus I, VIII and III, 2016, courtesy Barthélémy Toguo, Bandjoun Station/Galerie Lelong & Co

https://robertgrunenberg.com/exhibition ... emy-toguo/
BARTHÉLÉMY TOGUO
'SECRET EVIDENCE'
22 SEPTEMBER – 30 NOVEMBER 2018
In his first-ever solo exhibition at a German gallery, the Cameroonian artist Barthélémy Toguo critically examines the political climate of the globalised present and the psychological implications of the human condition. The exhibition includes key historical works dating back to 1999 as well as brand new works....
...Toguo’s porcelain vases are dedicated to two epidemics currently threatening the contemporary world and Africa in particular: AIDS and the Ebola virus. The monumental vases, produced in China, show visual representations of the pathogenic cells as seen the cells as seen through a microscope. These pattern drawings are combined with self-portraits of Toguo, vegetative forms and bats, which are carriers and distributors of the viruses. The vases also symbolize humankind’s ambivalent relationship with water, which, though purifying and regenerative is also a source of contamination when polluted.
https://www.who.int/news-room/feature-s ... o-the-test
A simulation for a global pandemic response involving more than 40 countries will take place 4-6 December, 2018, coordinated by the World Health Organization’s Global Emergency Operations Centre (EOC) and by the EOC Network, a global network of health emergency operations centres. This is the first global pandemic response training exercise, and the third in a series of simulations this year, following regional exercises in Jordan and Senegal....
**********
Side notes...
Some political backstories regarding Ukraine/Pinchuk/Clintons
http://johnhelmer.org/the-trial-of-the- ... -of-court/
Image
Left: Chelsea Clinton with Pinchuk, January24, 2012, photographed at the Pinchuk Foundation, Kiev.
Right: Verveer with Ukrainian Ambassador to the US, Valery Chaliy, October 14, 2015. For more on Pinchuk’s lobbying of Verveer, read this http://johnhelmer.org/interpipe-is-in-t ... ian-banks/.
An email from Clinton’s chief of staff Cheryl Mills to her boss, dated October 10, 2012, reveals that Pinchuk was helping the US Embassy in Kiev run what it called a “TechCamp” . The political propaganda objectives were explained in the email this way: “[Ukrainian] Civil society leaders received hands-on training in a variety of areas including using Facebook for social media engagement, increasing outreach through online collaborative learning, filming low cost video for outreach and engagement, creating effective websites for NG0s, making use of mapping data to advocate for change, and encouraging transparent governance to improve education.”

Kolomoisky has been under investigation in the US in several civil court cases involving real estate, steelmills, and other alleged business misconduct; see this. His role in diverting IMF funding for PrivatBank is also under international scrutiny.

Bogolyubov has avoided adverse attention from the Ukrainian media since the replacement of the Yanukovich administration in February of 2014. In May 2014, his Australian and African mining company, Consolidated Minerals, successfully refinanced $400 million in bonds held by US investors, and due for repayment in 2016; the new obligations do not fall due for repayment until 2020. Most of Bogolyubov’s metals and mining business is now outside the Ukraine and outside the US.
Tanngnjostr
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Re: Did the Pinchuk Art Centre foreshadow Covid-19?

Post by Tanngnjostr »

kestrel9 wrote: Tue Oct 18, 2022 8:28 am Excellent post, too much info to fully absorb in one sitting.

Because the Vases were painted in 2016 I'm inclined to believe that Toguo's Vases were chosen to be included in the 'Secret Evidence' 2018 exhibit to bring up the topic of pandemics/viruses etc., which was a theme in 2018 (via simulation exercises) that overlapped with the earliest cases of Covid19 in China. The Art Museum circuit is used by powerful elites for their political purpose and shaping culture. A preexisting tie in with Ukraine is intriguing.

Three large standing vases in porcelain, called “Vaincre le virus” (win over the virus) were made in 2016 (already) after Toguo’s visit to Jingdezhen, the ceramic capital of China. The red hands represent the chain of contamination, blood, disease and death, while his self-portrait on one of the vases can be interpreted as him witnessing the disaster. This work is obviously prescient.

Image
Vaincre le Virus I, VIII and III, 2016, courtesy Barthélémy Toguo, Bandjoun Station/Galerie Lelong & Co

https://robertgrunenberg.com/exhibition ... emy-toguo/
BARTHÉLÉMY TOGUO
'SECRET EVIDENCE'
22 SEPTEMBER – 30 NOVEMBER 2018
In his first-ever solo exhibition at a German gallery, the Cameroonian artist Barthélémy Toguo critically examines the political climate of the globalised present and the psychological implications of the human condition. The exhibition includes key historical works dating back to 1999 as well as brand new works....
...Toguo’s porcelain vases are dedicated to two epidemics currently threatening the contemporary world and Africa in particular: AIDS and the Ebola virus. The monumental vases, produced in China, show visual representations of the pathogenic cells as seen the cells as seen through a microscope. These pattern drawings are combined with self-portraits of Toguo, vegetative forms and bats, which are carriers and distributors of the viruses. The vases also symbolize humankind’s ambivalent relationship with water, which, though purifying and regenerative is also a source of contamination when polluted.
https://www.who.int/news-room/feature-s ... o-the-test
A simulation for a global pandemic response involving more than 40 countries will take place 4-6 December, 2018, coordinated by the World Health Organization’s Global Emergency Operations Centre (EOC) and by the EOC Network, a global network of health emergency operations centres. This is the first global pandemic response training exercise, and the third in a series of simulations this year, following regional exercises in Jordan and Senegal....
**********
Side notes...
Some political backstories regarding Ukraine/Pinchuk/Clintons
http://johnhelmer.org/the-trial-of-the- ... -of-court/
Image
Left: Chelsea Clinton with Pinchuk, January24, 2012, photographed at the Pinchuk Foundation, Kiev.
Right: Verveer with Ukrainian Ambassador to the US, Valery Chaliy, October 14, 2015. For more on Pinchuk’s lobbying of Verveer, read this http://johnhelmer.org/interpipe-is-in-t ... ian-banks/.
An email from Clinton’s chief of staff Cheryl Mills to her boss, dated October 10, 2012, reveals that Pinchuk was helping the US Embassy in Kiev run what it called a “TechCamp” . The political propaganda objectives were explained in the email this way: “[Ukrainian] Civil society leaders received hands-on training in a variety of areas including using Facebook for social media engagement, increasing outreach through online collaborative learning, filming low cost video for outreach and engagement, creating effective websites for NG0s, making use of mapping data to advocate for change, and encouraging transparent governance to improve education.”

Kolomoisky has been under investigation in the US in several civil court cases involving real estate, steelmills, and other alleged business misconduct; see this. His role in diverting IMF funding for PrivatBank is also under international scrutiny.

Bogolyubov has avoided adverse attention from the Ukrainian media since the replacement of the Yanukovich administration in February of 2014. In May 2014, his Australian and African mining company, Consolidated Minerals, successfully refinanced $400 million in bonds held by US investors, and due for repayment in 2016; the new obligations do not fall due for repayment until 2020. Most of Bogolyubov’s metals and mining business is now outside the Ukraine and outside the US.
Thanks, Kestrel9.

Nice find of the Secret Evidence and that the vases were connected to Jingdezhen, China.

I hadn't heard about the TechCamp but it is far from surprising. Pinchuk is on the Atlantic Council, and they are involved with big tech censorship and so called "fact checks" on Facebook. https://archive.ph/mRc68 I outlined some of the AC connections in my new substack. https://substack.com/inbox/post/77869173

Thanks for the email too. I think Cyberberkut alleged that Pinchuk used the stolen IMF money to give to the Clinton Foundation.
https://archive.ph/wl0se (please excuse my having day mode on)
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EricKaliberhall
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Re: Did the Pinchuk Art Centre foreshadow Covid-19?

Post by EricKaliberhall »

Hey Tanngrisnir. I will 'Sticky' this submission. Great work!
Tanngnjostr
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Re: Did the Pinchuk Art Centre foreshadow Covid-19?

Post by Tanngnjostr »

EricKaliberhall wrote: Wed Oct 19, 2022 9:33 am Hey Tanngrisnir. I will 'Sticky' this submission. Great work!
Thank you, EricKaliberhall!
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